Andy Diaz Hope + Jon Bernson, InLight 2016, Photo by Terry Brown
On November 11th, 2016, 1708 Gallery's 9th annual InLight Richmond illuminated buildings, sidewalks, and green spaces in Scott's Addition. InLight 2016 featured curated artworks, community projects, and juried artworks selected by Ellina Kevorkian, Artistic Director of Residency Programs at Bemis Center for Contemporary Art.
INLIGHT 2016 AWARD WINNERS
BEST IN SHOWselected by Ellina Kevorkian, Artistic Director of Residency Programs at Bemis Center for Contemporary Art.
Andy Diaz Hope + Jon Bernson | god(s)(dess)(es)
Andy Diaz Hope and Jon Bernson combine elements of sculpture, audio and video to create immersive, multi-sensory environments. Both an object and an experience, god(s)(dess)(es) features a montage of film depictions of gods and goddesses from the past thirty years.
ANDY DIAZ HOPE earned his BA and MA in Engineering from Stanford University’s joint program between the engineering and art departments. He has exhibited nationally and internationally in venues such as the Museum of Art and Design in New York, NY; the National Gallery of Victoria in Australia; and the London Crafts Council, London, England.
JON BERNSON was a 2015 artist-in-residence at the de Young Museum and is a resident playwright at the Playwrights Foundation in San Francisco. Recent projects include Beautification Machine, his collaboration with Andy Diaz Hope, which is now part of the permanent collection at the Nevada Museum of Art.
Both artists are represented by Catharine Clark Gallery.
NEW MARKET PEOPLE'S CHOICEselected by the InLight audience
Bob Kaputof | Cold and Overcast Day
Cold and Overcast Day features a narrative of images and sounds created with light, lenses and objects; flashes of electricity create shadows of ideas, memories and desires and collectively suggest a dreamscape. The soundtrack is produced by placing a speaker downstream of the bulbs to capture the sounds generated by these flashing lights. The eect is random. The images can be singular.But often times images occur in combinations akin to the firing of neurons in the brain.
Kaputof is an Associate Professor at Virginia Commonwealth University currently teaching in the Kinetic Imaging Department. He has taught in both the Design and Kinetic Imaging departments at VCU and led the K.I. Department from 2003-2010. He has screened work at the Dallas Video Festival; the Pacific Film Archives; Berkeley and Mill Valley Film + Video Festival and other venues.
1708 Gallery is pleased to announce Ellina Kevorkian's InLight 2016 juror-selected artists:
InLight 2016 will also feature curated projects by:
InLight 2016 will include community projects by:
ABOUT THE JUROR
Ellina Kevorkian is an interdisciplinary artist who creates hybridized relationships between painting, photography, video, and performance. Kevorkian has shown in Los Angeles and beyond; among the many, Western Project, a showing of selected videos at MOCA, Los Angeles, and inclusion in the Southern California Council of the National Museum of Women in the Arts sponsored retrospective Multiple Vantage Points: Southern California Women Artists, 1980-2006.
As a commissioned artist for Los Angeles Contemporary Exhibitions she presented Recollecting Performance, an exhibition of 1970s and e.1980s garments worn by Southern Californian performance artists for Los Angeles Goes Live: Performance Art in Southern California 1970-1983, as part of The Getty funded initiative Pacific Standard Time: Art in LA 1945-1980. Kevorkian’s year-long, site-specific installation for The Museum of Contemporary Art, Denver, violetagainstwomen.tumblr.com, can be viewed online. An AVK Arts Foundation grant supported her recent artist-in-residency at The Center for the Art of Performance at UCLA. The resultant piece Some Dreams Contain Dead Time was performed on the Royce Hall Stage.
Her work has been written about in The LA Times, The LA Weekly, ArtForum, ArtPulse and Artnet. She received her MFA from Claremont Graduate University and graduated from the inaugural year at the Institute of Curatorial Practice in Performance at Wesleyan University. She's a recent participant in Portland Emerging Arts Leaders (PEAL) which is affiliated with the Emerging Leaders Network, a program of Americans for the Arts.
ABOUT THE 2016 SITE
The story of Scott’s Addition is one of crossroads and transactions, of juxtapositions and change; a story as complex as its namesake General Winfield Scott, a general in the War of 1812 who married Maria Mayo of Richmond. Maria’s dowry included a portion of the Hermitage Estate—an area that includes modern day Scott’s Addition. Today it is an industrial, commercial, and residential neighborhood bordered to the south by Broad Street and to the east by the Boulevard. The area is marked by auto shops and painting companies, architecture and design firms, art nonprofits and restaurants. Aging warehouses suggest past industries and point to the central location of Scott’s Addition along Richmond’s historic transportation routes. The rise of craft breweries and the conversion of old structures into new apartments indicate a revitalizing moment for the city.
A fuller history and description of the neighborhood can be found here.